There is something about the skeletal splendor of winter trees — so vascular, so axonal, so pulmonary — that fills the lung of life with a special atmosphere of aliveness. Something beyond the knowledge that wintering is the root of trees’ resilience, beyond the revelation of their fractal nature and how it salves the soul with its geometry of grief. Something that humbles you to the barest, most beautiful face of the elemental.
I know of no one who has captured that singular enchantment better than the artist, naturalist, philosopher, entomologist, and educator Anna Botsford Comstock (September 1, 1854–August 24, 1930).
In 1902, nine years before she laid the cultural groundwork for what we now call youth climate action in her exquisite field guide to wonder, Comstock wrote an article for the magazine Country Life that became, fourteen years later, her slender, tender book Trees at Leisure (public library | public domain) — a love letter to the science, splendor, and spiritual rewards of our barked, branched, rooted chaperones of being.
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